PART-TIME PRODUCTIONS

Full-Time Commitment

 

‘Dictionaries typically define “cause célèbre” as “an issue inciting widespread controversy or heated public debate.”   But there can be no controversy or debate about Cause Célèbre, the theatre company…designed to raise awareness about various social issues…’

Frank Scheck, New York Post

CAUSE CÉLÈBRE/PART-TIME PRODUCTIONS is a not-for-profit organization dedicated to causes and charity. Its mission is to connect compelling theatre with important causes. Audiences have a chance to see the highest caliber of writing, acting and directing while also contributing to a cause.

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CAUSE CÉLÈBRE/Part Time Productions

in association with THE NEW GROUP

Presents

PERSISTENCE OF MEMORY/Three Unforgettable One-Acts

Written by
Susan Charlotte ∙ Christopher Durang ∙ Arthur Miller

Directed by
Christopher Hart ∙ Antony Marsellis

Starring
Joan Copeland ∙ Tandy Cronyn
Rose Gregario ∙ Bernie McInerney ∙ Marian Seldes
with Michael Citriniti ∙ Talia Castro-Pozo ∙ Lee Van Bradley

FIVE SHOWS ONLY.
CALL RIGHT AWAY, TICKETS ARE GOING FAST!
ONE SHOW IS ALREADY SOLD OUT

November 1 at 7pm
November 8 at 2pm
November 15 at 2pm   & 6:30 pm(Sold Out)
November 22 at 2pm

The Acorn Theatre at Theatre Row
(410 West 42nd Street between 9th and 10th Avenues)

A portion of the proceeds benefits COLUMBIA PSYCHIATRY

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THE PROGRAM, THE PLAYS AND THE PLAYERS

 

The program opens with Christopher Durang's delightful comedy “Mrs. Sorken” which revolves around a woman who seems to be most at home in the theatre and feels most connected when she is with an audience. This woman of many words is portrayed by an actress of many talents, the great Marian Seldes.

 

Following this comedic monologue is Arthur Miller's “I Can't Remember Anything” starring Joan Copeland and Bernie McInerney. Directed by Christopher Hart, this unusual one-act features a woman named Leonora, a man named Leo and a past that they remember rather differently. In fact, Leonora has trouble remembering the past at all--a past that included her husband, who was a close friend of Leo's. Leonora visits Leo every day. They talk, they argue, they struggle with their memories of the past, their uneasiness with the present and their fears of the future. Miller manages to use tremendous humor while dealing with the problems of aging in this thought-provocative gem.

 

The program ends with the lyrical and life affirming “Tango Finish,” written by Susan Charlotte, starring Tandy Cronyn and Rose Gregorio, with Michael Citriniti. Directed by Antony Marsellis this unique one-act combines theatre with dance, weaving tango throughout the fabric of the play. A woman named Rose has blocked out parts of her past. A former dancer named Mary, who is losing her memory, is starting to lose touch with the present. She is transfixed by the memory of two dancers who inspired her as a young woman—a memory that is acted out on stage by two tango dancers, Talia Castro-Pozo and Lee Van Bradley. Mary longs to dance again but she needs a partner. Rose becomes that partner. Though Mary can no longer remember her name she never forgets a dance step. She teaches Rose to open up to the dance of tango and embrace the missing parts of her life. Rose is able to begin again.